But it also speaks to the everyday aspects of human life that I believe we sleepwalk through. Moor Mother said: "DREAM CULTURE speaks to my desire to explore and examine ambient sound works. 2 and Gabriella Smith’s fast and furious ‘Carrot Revolution’ complete the programme. Notoriously demanding, musicians are instructed to chant in foreign languages, play instruments upside down, incessantly tap strings with thimbles and glass rods, scream, shout, beat, count and pray.Įdmund Finnis’ transcendent String Quartet No. Tense ,immersive, edge-of-your seat listening, George Crumb’s work for electric string quartet is not for the faint of heart, with themes of death, destiny and obsessive spirituality. The second half of the performance sees a dramatic fusion of Crumb’s ground-breaking Black Angels and the slow movement of Schubert’s Death and the Maiden that inspired it, one of the pillars of the chamber music repertoire. A self-taught musician with a drive to dig up the untold, Moor Mother is one half of the art collective Black Quantum Futurism (along with Rasheedah Phillips) and is known for her experimental music work, mixing in influences from jazz, blues, hip-hop and other Black classical traditions. The show sees the world premiere of Moor Mother’s DREAM CULTURE, the artist’s first chamber commission.
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